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“A dose of senner tea’ll fix that, my boy,” was Mrs. Wopp’s cheerful rejoinder. “Don’t Job look jist like Mariar Mifsud goin’ to meetin’,” gurgled Betty. Billy didn’t wait. Like all generous natures that are slow to anger, the passion once aroused possessed him to madness. He raced down the turnpike, his face aflame. Ahead he could see the Dorrs’ horse and buggy standing near the fence. Jimmy was on the ground beside the Twins; and Billy saw the whip descend more than once before he arrived. Had he known it the blows were make-believe, for moral effect alone. Jimmy was giving a lesson that his Southern breeding made him think necessary, if painful..

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She pressed him closer and kissed him. And soon he slept. Presently, Moses made for the yard and on his way, offered tribute to Betty by standing on his head on the mat at the door. The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising. From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics..